I am not a guide for every traveler of loss.
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
a folksome, gruesome opera of gauze and malcontent.
We stop doing dishes while a mile unwinds from the tree outside.
you quit wearing pants loaf around your yard in hole-nipped panties
Winter sat like a wolf on the horizon.
I have an axe with hearts gashed
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
I have observed, the theorist I am
Ma wrings a wet world of colors
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
The collective failure of ethical standards
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
anger, like you can sink teeth into, candy apple
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
how does an afternoon turn on its axis?
The storm passes without snow. The car waits loyally in the back lot.
and then her eyes fully opened — blazed through with strands of mud
here is the sky in stop motion, flickering, a still shot in monochrome
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.