Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
a folksome, gruesome opera of gauze and malcontent.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
you quit wearing pants loaf around your yard in hole-nipped panties
People have always coped with flooding, and they learned to cope with death.
my friends’ fathers are dropping I mean dying like flies
I imagined a cascade of slow death for all / that mattered…
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
Listen to me: I know the winter gloom in mid-summer…
I myself should never have been born
I want to roll in this moment until I become its vocabulary until I smell like the bones until I am its echo…
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place
Now that the Israeli has left, it falls on me to make the salad.
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
There is so little left of the tomato plants.
Winter sat like a wolf on the horizon.
Long after midnight, we’re talking about our first time
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.