ISSUE FOUR
Jenna says that he typically goes for redheads, so I run to Target and buy a box of hair dye.
The hamantaschen have followed us from apartment to apartment, all of the kitchens dark, cramped, cluttered.
I have observed, the theorist
I am
ONLY THROUGH PAIN,
CAN WE TRULY FEEL ALIVE
You’ve been dreading this day since the moment you found out you were pregnant—perhaps even before.
I myself should never have been born
I have an axe
with hearts gashed
I’m dancing with my best friend’s husband, under the influence of his jaws and thighs.
To be encased, Clint had always thought, was foolishness. Why allow yourself to be open to such sorrow?
You’re joking, I say, interrupting the steady bumping of the doctor’s bushy white mustache.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
my father holds
his favorite drink
I would always rather be happy than
dignified. Rather held than held
in awe.
my love is a glass shard, a knife made of madness and moonlight,
and there are already way too many fragments in this house
I run with a pack of older boys from our neighborhood, the only girl.
The sin is existing.
we drove on through
the blue seal of morning as the turbines
turned and winked out their hearts
Taking photographs of my hometown has given me a chance to reflect on people whom I have not valued.
You are strange, my mother said, dwelling on the past.
Shadows and psychological metaphors are favored photographic subjects for me.
How do you even know when you’re there—at the epicenter?
I create images that are narrative, featuring visual schematics, relying on juxtaposition for contrast or disjuncture.
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
Lights on the dashboard spell out
“You still can’t kiss me”
it’s touch-and-go with me and weddings
Ma wrings
a wet world
of colors
Now that the Israeli has left, it falls
on me to make the salad.
If my life was the size of my arm, I would stretch it out for you.
Live the rest of your life
from one worst case to another.
the man is stayed bent over the canvas
of my sofa. the man is me the man is him
self and I bring down the whip…
He has stories that I am not in
anymore. It’s healed this way.
The new octopus at the children’s aquarium was named Athena, and as we waited for her to emerge, I thought of the almost-too-faint second line on the pregnancy test three days before.
She said I would find my perfect love when on the brink of death.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
love is a soggy tea stain on a grocery receipt
I am not a guide
for every traveler
of loss.
“The woman was a catastrophe,” Carlos told me at the time. “But she was as honest as my face is ugly.”
Winter sat like a wolf
on the horizon.
I’msorry I‘ll see what happens iLife
It was an engagement of secrets in sunlit spaces.
If America is Babylon / and you are an exile / newly arrived among pagans / Catholic, ‘Ngolan, Black, woman / you already know how to pray
I point my camera towards B. Lovely and she is sitting on the curb.
He used to hold my hand on Commonwealth. I wonder sometimes if he ever still thinks about my mouth.
the search for a wayward self
I know you shouldn’t keep wild animals as pets, but I’ve had the same spider in my bathroom sink for over two weeks.
Through the dusty window in my parent’s bedroom, I watched the neighbor’s cattle graze.
A man with a fistful of showbags said, “That cow sounds like a person trying to sound like a cow.”
She turns her back for me to fasten the rows of metal hooks. Why isn’t our small, tender freedom enough?