robertson quay
by Jonathan Chan
how does an afternoon turn
on its axis? in the slow draining
of froth, eyes fixed on a verdant
trough, and then the glow of
tessellated paper, wrapped
around a luminous purple, green,
and blue. the sculpted bowl against
a flattened sphere gasps that things
are out of joint, beside it, a collage of
air and flattened toys. perhaps it
says less than we presume, fingers
wrapped under the swell of
raindrops, the surging river
beneath Pacita’s fabulous
bridge. an afternoon turns
into evening, folding in the
stillness of old and new
affections, the thickening
passage of every minute.