my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
Ma wrings a wet world of colors
My grandmother asked, “Does it feel like being widowed?”
You’ve spent a lifetime training for this.
I have observed, the theorist I am
I am still waiting for the lion
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
anger, like you can sink teeth into, candy apple
Her brown eyes, how a fig considers itself.
four-thirty a.m.
He has stories that I am not in anymore. It’s healed this way.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Every so often, they add a tattoo in honor of some long-forgotten love.
The storm passes without snow. The car waits loyally in the back lot.
and then her eyes fully opened — blazed through with strands of mud
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
I myself should never have been born
If my life was the size of my arm, I would stretch it out for you.
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…
this is what I want you to to see: leaves falling because it is too late for them not to