The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
You said it was okay to blame what goes wrong on the planet
the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
Listen to me: I know the winter gloom in mid-summer…
my father holds his favorite drink
If my life was the size of my arm, I would stretch it out for you.
Even from this distance I could go out the door it would bang shut and crumble
you know that baby swallows make silver ripples in wild rivers to court reeds?
Ghosts for hire, whispers in her mouth, cysts to feel, the symmetry of a gift.
I am not a guide for every traveler of loss.
People have always coped with flooding, and they learned to cope with death.
Live the rest of your life from one worst case to another.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
Long after midnight, we’re talking about our first time
I have an axe with hearts gashed
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
The sin is existing.
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.