you quit wearing pants loaf around your yard in hole-nipped panties
I would always rather be happy than dignified. Rather held than held in awe.
love is a soggy tea stain on a grocery receipt
a folksome, gruesome opera of gauze and malcontent.
Long after midnight, we’re talking about our first time
I am not a guide for every traveler of loss.
here is the sky in stop motion, flickering, a still shot in monochrome
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
Do not say anything anybody else has said ever. Things are not “bleached by sun.”
There is so little left of the tomato plants.
I suffer visions and many indignities while looking for the Lobster
You said it was okay to blame what goes wrong on the planet
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
I don’t know why I’m in the garden kneeling on dirt
I have an axe with hearts gashed
Ghosts for hire, whispers in her mouth, cysts to feel, the symmetry of a gift.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.