Lights on the dashboard spell out “You still can’t kiss me”
how does an afternoon turn on its axis?
Long after midnight, we’re talking about our first time
You said it was okay to blame what goes wrong on the planet
I suffer visions and many indignities while looking for the Lobster
He has stories that I am not in anymore. It’s healed this way.
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
There is so little left of the tomato plants.
Now that the Israeli has left, it falls on me to make the salad.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
four-thirty a.m.
here is the sky in stop motion, flickering, a still shot in monochrome
Do not say anything anybody else has said ever. Things are not “bleached by sun.”
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
I would always rather be happy than dignified. Rather held than held in awe.
you know that baby swallows make silver ripples in wild rivers to court reeds?
I want to roll in this moment until I become its vocabulary until I smell like the bones until I am its echo…
You’ve spent a lifetime training for this.