anger, like you can sink teeth into, candy apple
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…
my father holds his favorite drink
Ma wrings a wet world of colors
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
I suffer visions and many indignities while looking for the Lobster
If my life was the size of my arm, I would stretch it out for you.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
You’ve spent a lifetime training for this.
The sin is existing.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
a folksome, gruesome opera of gauze and malcontent.
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place
Every so often, they add a tattoo in honor of some long-forgotten love.
He has stories that I am not in anymore. It’s healed this way.
I would always rather be happy than dignified. Rather held than held in awe.
you know that baby swallows make silver ripples in wild rivers to court reeds?