I imagined a cascade of slow death for all / that mattered…
Listen to me: I know the winter gloom in mid-summer…
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Try not to see your own predicament in every fucking thing.
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
my father holds his favorite drink
He has stories that I am not in anymore. It’s healed this way.
My grandmother asked, “Does it feel like being widowed?”
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
People have always coped with flooding, and they learned to cope with death.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
my friends’ fathers are dropping I mean dying like flies
I have an axe with hearts gashed