I myself should never have been born
and then her eyes fully opened — blazed through with strands of mud
love is a soggy tea stain on a grocery receipt
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
Just starlight and some small scribbling across vinyl.
Her brown eyes, how a fig considers itself.
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
Do not say anything anybody else has said ever. Things are not “bleached by sun.”
four-thirty a.m.
Now that the Israeli has left, it falls on me to make the salad.
I’msorry I‘ll see what happens iLife
My grandmother asked, “Does it feel like being widowed?”
Winter sat like a wolf on the horizon.
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
this is what I want you to to see: leaves falling because it is too late for them not to
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.