I have an axe with hearts gashed
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
The storm passes without snow. The car waits loyally in the back lot.
I am not a guide for every traveler of loss.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
four-thirty a.m.
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
Her brown eyes, how a fig considers itself.
Winter sat like a wolf on the horizon.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
If my life was the size of my arm, I would stretch it out for you.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
Live the rest of your life from one worst case to another.
People have always coped with flooding, and they learned to cope with death.
I am still waiting for the lion
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.