the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.
You said it was okay to blame what goes wrong on the planet
Even from this distance I could go out the door it would bang shut and crumble
Try not to see your own predicament in every fucking thing.
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
We stop doing dishes while a mile unwinds from the tree outside.
You’ve spent a lifetime training for this.
you know that baby swallows make silver ripples in wild rivers to court reeds?
I am still waiting for the lion
Every so often, they add a tattoo in honor of some long-forgotten love.
my father holds his favorite drink
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
it’s touch-and-go with me and weddings
The sin is existing.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place