Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
a folksome, gruesome opera of gauze and malcontent.
I myself should never have been born
My grandmother asked, “Does it feel like being widowed?”
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
We stop doing dishes while a mile unwinds from the tree outside.
it’s touch-and-go with me and weddings
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
You’ve spent a lifetime training for this.
People have always coped with flooding, and they learned to cope with death.
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…
I imagined a cascade of slow death for all / that mattered…
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
The collective failure of ethical standards
I want to roll in this moment until I become its vocabulary until I smell like the bones until I am its echo…
The storm passes without snow. The car waits loyally in the back lot.
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
here is the sky in stop motion, flickering, a still shot in monochrome