POETRY

“Poetry is language at its most distilled and most powerful.”
—Rita Dove
Dear Deer in the Compost Pile

I tap at the alphabet while a single deer
taps at the dirt beyond the brush
on the far side of the tree line.

The State School 1984 His Given Name Was Wilbur  We Called Him Magpie

Mostly he ate what was put on his plate
snuck coffee grounds or dirt for a snack
Once a zipper Unzipped

oh Manifesto

The collective
failure
of ethical standards

Condolences

my friends’ fathers are
dropping
I mean dying
like flies

Black Ghosts of Ponderosa on a Silhouette of Hill

Even as the sun warms the concrete
the long nights’ sensual cold lingers in my clothes.

Landscape with Ash

You are strange, my mother said, dwelling on the past.

Drowning in sky

I have observed, the theorist
I am

Letter To a Young Poet

Do not say anything anybody else has said ever. Things are not “bleached by sun.”

Sadness is a Sin

If my life was the size of my arm, I would stretch it out for you.

robertson quay

how does an afternoon turn
on its axis?

Finding My Fix

I slumped in front of a massive desk, a passive patient corroded with failure and dread.

Hollywood Hills
the remarkable thing

I am still waiting for the lion

beach
On Undressing a Color / On Undressing a Girl

I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.

“Artifact,” as Translated from Gluberhöff’s Lexicon

Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.

You can’t make them love you, no matter how artfully you betray yourself

Try not to see your own predicament in every fucking thing.

An Interview with Brian S. Ellis

The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.

Making Israeli Salad

Now that the Israeli has left, it falls
on me to make the salad.

Several someones

a folksome, gruesome opera
of gauze and malcontent.

REVENGE SCENE

Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.

heavy rain
The Plot

Long after midnight, we’re talking about our first time