and then her eyes fully opened — blazed through with strands of mud
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
I am not a guide for every traveler of loss.
it’s touch-and-go with me and weddings
Ma wrings a wet world of colors
my father holds his favorite drink
Ghosts for hire, whispers in her mouth, cysts to feel, the symmetry of a gift.
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
I suffer visions and many indignities while looking for the Lobster
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
He has stories that I am not in anymore. It’s healed this way.
Try not to see your own predicament in every fucking thing.
Her brown eyes, how a fig considers itself.
We stop doing dishes while a mile unwinds from the tree outside.
Long after midnight, we’re talking about our first time
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
my friends’ fathers are dropping I mean dying like flies
this is what I want you to to see: leaves falling because it is too late for them not to
I would always rather be happy than dignified. Rather held than held in awe.