I am still waiting for the lion
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
a folksome, gruesome opera of gauze and malcontent.
Winter sat like a wolf on the horizon.
it’s touch-and-go with me and weddings
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
We stop doing dishes while a mile unwinds from the tree outside.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
my father holds his favorite drink
Listen to me: I know the winter gloom in mid-summer…
I’msorry I‘ll see what happens iLife
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
I don’t know why I’m in the garden kneeling on dirt
I am not a guide for every traveler of loss.
you know that baby swallows make silver ripples in wild rivers to court reeds?
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
anger, like you can sink teeth into, candy apple
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.