You are strange, my mother said, dwelling on the past.
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
People have always coped with flooding, and they learned to cope with death.
you know that baby swallows make silver ripples in wild rivers to court reeds?
how does an afternoon turn on its axis?
my friends’ fathers are dropping I mean dying like flies
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
this is what I want you to to see: leaves falling because it is too late for them not to
Try not to see your own predicament in every fucking thing.
Listen to me: I know the winter gloom in mid-summer…
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.
I buy too much, for someone of my stature. could pawn a skinny metaphor to purchase a plump skin. its reputed in our lineage— to daydream a life that shreds our pockets.
I have an axe with hearts gashed
I don’t know why I’m in the garden kneeling on dirt
Ma wrings a wet world of colors
Lights on the dashboard spell out “You still can’t kiss me”
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
here is the sky in stop motion, flickering, a still shot in monochrome
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.