my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house
my father holds his favorite drink
the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.
how does an afternoon turn on its axis?
anger, like you can sink teeth into, candy apple
here is the sky in stop motion, flickering, a still shot in monochrome
Long after midnight, we’re talking about our first time
you quit wearing pants loaf around your yard in hole-nipped panties
He has stories that I am not in anymore. It’s healed this way.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
Try not to see your own predicament in every fucking thing.
There is so little left of the tomato plants.
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
People have always coped with flooding, and they learned to cope with death.
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
I want to roll in this moment until I become its vocabulary until I smell like the bones until I am its echo…
Even from this distance I could go out the door it would bang shut and crumble