POETRY

“Poetry is language at its most distilled and most powerful.”
—Rita Dove
3:17 AM as Edward Hopper’s Nighthawks

Part of being a good sad person
is always painting the shadows
in the right direction and knowing
what sorrow to art with.

On the Night Row-Houses Across the Street Catch Fire

You let the yellow glow
from eye sockets. The building up the street
is burning faster and faster.

things they won’t tell you but should:

love is a soggy tea stain on a grocery receipt

Condolences

my friends’ fathers are
dropping
I mean dying
like flies

Fallout Shelter

I imagined a cascade of slow death for all / that mattered…

painting of apple and grapes
Feast Of

anger, like you can sink teeth into, candy apple

All In

I don’t
know why
I’m in the garden
kneeling on dirt

“Artifact,” as Translated from Gluberhöff’s Lexicon

Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.

Sprung (April)

I like to think I’m also sprung,
released from the furnace knocks,
done with the heavy meat stews
and salty soups.

An Endeavor of Being Now

We stop doing dishes while
a mile unwinds
from the tree outside.

Hollywood Hills
the remarkable thing

I am still waiting for the lion

Letter To a Young Poet

Do not say anything anybody else has said ever. Things are not “bleached by sun.”

There is an alternative universe

Ghosts for hire, whispers in her mouth,
cysts to feel, the symmetry of a gift.

Drowning in sky

I have observed, the theorist
I am

close up of sun
Mercury in Retrograde

You said it was okay to blame
what goes wrong on the planet

Clueless & Briefly Gorgeous

I buy too much, for someone of my stature.
could pawn a skinny metaphor to purchase a plump skin.
its reputed in our lineage— to daydream a life that shreds our pockets.

woman at bar
After She Told Me You Pushed Her Down the Stairs

Empty vessels
make the most sound, I think,
as you rip the fairy lights off the handrail.

An Interview with Brian S. Ellis

The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.

heavy rain
The Plot

Long after midnight, we’re talking about our first time

The Body is a Sin

The sin is existing.