POETRY

“Poetry is language at its most distilled and most powerful.”
—Rita Dove
Welcome To The House of Static

here is the sky in stop motion, flickering,
a still shot in monochrome

Mom, in Her Dementia, Steals Oranges

and apples, mackintosh mostly, but any kind left in The Pub
at the Assisted Living Place

painting of apple and grapes
Feast Of

anger, like you can sink teeth into, candy apple

if detritus is all i’m made up of

my love is a glass shard, a knife made of madness and moonlight,
and there are already way too many fragments in this house

On the Night Row-Houses Across the Street Catch Fire

You let the yellow glow
from eye sockets. The building up the street
is burning faster and faster.

An Interview with Dylan Krieger

Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.

There is an alternative universe

Ghosts for hire, whispers in her mouth,
cysts to feel, the symmetry of a gift.

things they won’t tell you but should:

love is a soggy tea stain on a grocery receipt

Snow Falls from Branches

Should have found a job by now; should have slept in the night;
should have boiled old coffee before noon.

oh Manifesto

The collective
failure
of ethical standards

The River

I myself should never have been born

Getting Postcards From a Piano Showroom

The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…

beach
On Undressing a Color / On Undressing a Girl

I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.

Going Broke

Winter sat like a wolf
on the horizon.

3:17 AM as Edward Hopper’s Nighthawks

Part of being a good sad person
is always painting the shadows
in the right direction and knowing
what sorrow to art with.

Me and Other Bodily Accessories

I am not a guide
for every traveler
of loss.

Landscape with Ash

You are strange, my mother said, dwelling on the past.

heavy rain
The Plot

Long after midnight, we’re talking about our first time

Clotheslines

Ma wrings
a wet world
of colors