it’s touch-and-go with me and weddings
There is so little left of the tomato plants.
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place
Now that the Israeli has left, it falls on me to make the salad.
I don’t know why I’m in the garden kneeling on dirt
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
I am still waiting for the lion
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
I have observed, the theorist I am
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
Her brown eyes, how a fig considers itself.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
Live the rest of your life from one worst case to another.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
here is the sky in stop motion, flickering, a still shot in monochrome
Do not say anything anybody else has said ever. Things are not “bleached by sun.”
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.