this is what I want you to to see: leaves falling because it is too late for them not to
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
I am still waiting for the lion
If my life was the size of my arm, I would stretch it out for you.
People have always coped with flooding, and they learned to cope with death.
I am not a guide for every traveler of loss.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
it’s touch-and-go with me and weddings
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
Every so often, they add a tattoo in honor of some long-forgotten love.
Ma wrings a wet world of colors
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
how does an afternoon turn on its axis?
Live the rest of your life from one worst case to another.
Her brown eyes, how a fig considers itself.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
a folksome, gruesome opera of gauze and malcontent.
my love is a glass shard, a knife made of madness and moonlight, and there are already way too many fragments in this house