Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
Listen to me: I know the winter gloom in mid-summer…
Long after midnight, we’re talking about our first time
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
here is the sky in stop motion, flickering, a still shot in monochrome
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
You are strange, my mother said, dwelling on the past.
Every so often, they add a tattoo in honor of some long-forgotten love.
the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
It recommended soft porn, as gentle prodding and petting parent to parent might calm and soothe the kid.
and then her eyes fully opened — blazed through with strands of mud
I myself should never have been born
Her brown eyes, how a fig considers itself.
I have an axe with hearts gashed
If America is Babylon / and you are an exile / newly arrived among pagans / Catholic, ‘Ngolan, Black, woman / you already know how to pray
it’s touch-and-go with me and weddings
The storm passes without snow. The car waits loyally in the back lot.
four-thirty a.m.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.