People have always coped with flooding, and they learned to cope with death.
Even from this distance I could go out the door it would bang shut and crumble
Just starlight and some small scribbling across vinyl.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
love is a soggy tea stain on a grocery receipt
Ma wrings a wet world of colors
Every so often, they add a tattoo in honor of some long-forgotten love.
I don’t know why I’m in the garden kneeling on dirt
how does an afternoon turn on its axis?
four-thirty a.m.
Lights on the dashboard spell out “You still can’t kiss me”
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
Live the rest of your life from one worst case to another.
I am not a guide for every traveler of loss.
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
I suffer visions and many indignities while looking for the Lobster