Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
a folksome, gruesome opera of gauze and malcontent.
love is a soggy tea stain on a grocery receipt
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
It recommended soft porn, as gentle prodding and petting parent to parent might calm and soothe the kid.
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
Winter sat like a wolf on the horizon.
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.
I imagined a cascade of slow death for all / that mattered…
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
Even from this distance I could go out the door it would bang shut and crumble
Listen to me: I know the winter gloom in mid-summer…
you quit wearing pants loaf around your yard in hole-nipped panties
I myself should never have been born
I am not a guide for every traveler of loss.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.