I am still waiting for the lion
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
and then her eyes fully opened — blazed through with strands of mud
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
He has stories that I am not in anymore. It’s healed this way.
If my life was the size of my arm, I would stretch it out for you.
Part of being a good sad person is always painting the shadows in the right direction and knowing what sorrow to art with.
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
We stop doing dishes while a mile unwinds from the tree outside.
the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.
Her brown eyes, how a fig considers itself.
It recommended soft porn, as gentle prodding and petting parent to parent might calm and soothe the kid.
anger, like you can sink teeth into, candy apple
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
here is the sky in stop motion, flickering, a still shot in monochrome
Now that the Israeli has left, it falls on me to make the salad.
love is a soggy tea stain on a grocery receipt