The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
I buy too much, for someone of my stature. could pawn a skinny metaphor to purchase a plump skin. its reputed in our lineage— to daydream a life that shreds our pockets.
Lights on the dashboard spell out “You still can’t kiss me”
Every so often, they add a tattoo in honor of some long-forgotten love.
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
In my universe, my arm carries a heart and flowers, my back a misguided quote
Winter sat like a wolf on the horizon.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
The collective failure of ethical standards
here is the sky in stop motion, flickering, a still shot in monochrome
If my life was the size of my arm, I would stretch it out for you.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
anger, like you can sink teeth into, candy apple
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Just starlight and some small scribbling across vinyl.
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
Try not to see your own predicament in every fucking thing.
I myself should never have been born
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.