POETRY

“Poetry is language at its most distilled and most powerful.”
—Rita Dove
The love of my life moved from portland to new england

He has stories that I am not in
anymore. It’s healed this way.

appetites

you quit wearing pants
loaf around your yard
in hole-nipped panties

The Man

the man is stayed bent over the canvas
of my sofa. the man is me the man is him
self and I bring down the whip…

The State School 1984 His Given Name Was Wilbur  We Called Him Magpie

Mostly he ate what was put on his plate
snuck coffee grounds or dirt for a snack
Once a zipper Unzipped

Despairathon

You’ve spent a lifetime training
for this.

Clotheslines

Ma wrings
a wet world
of colors

Condolences

my friends’ fathers are
dropping
I mean dying
like flies

Dear Deer in the Compost Pile

I tap at the alphabet while a single deer
taps at the dirt beyond the brush
on the far side of the tree line.

melting ice cap
blue is the color of surrender

you know that
baby swallows make silver ripples
in wild rivers to court reeds?

The Kotel in Jerusalem is Filled with Cracks

We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…

“Artifact,” as Translated from Gluberhöff’s Lexicon

Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.

Me and Other Bodily Accessories

I am not a guide
for every traveler
of loss.

The River

I myself should never have been born

i do not want to wait until it’s too late

the strands of your hair on the bathroom tiles aren’t sketching defeat. that’s you spitting disease in the face with another day you’ve woken up to.

Good Driver

Lights on the dashboard spell out
“You still can’t kiss me”

Finding My Fix

I slumped in front of a massive desk, a passive patient corroded with failure and dread.

woman at bar
After She Told Me You Pushed Her Down the Stairs

Empty vessels
make the most sound, I think,
as you rip the fairy lights off the handrail.

An Interview with Dylan Krieger

Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.

3:17 AM as Edward Hopper’s Nighthawks

Part of being a good sad person
is always painting the shadows
in the right direction and knowing
what sorrow to art with.

Snow Falls from Branches

Should have found a job by now; should have slept in the night;
should have boiled old coffee before noon.