I want to roll in this moment until I become its vocabulary until I smell like the bones until I am its echo…
and then her eyes fully opened — blazed through with strands of mud
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
Her brown eyes, how a fig considers itself.
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
If America is Babylon / and you are an exile / newly arrived among pagans / Catholic, ‘Ngolan, Black, woman / you already know how to pray
I have observed, the theorist I am
Long after midnight, we’re talking about our first time
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
you know that baby swallows make silver ripples in wild rivers to court reeds?
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Winter sat like a wolf on the horizon.
In my universe, my arm carries a heart and flowers, my back a misguided quote
People have always coped with flooding, and they learned to cope with death.
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.
The storm passes without snow. The car waits loyally in the back lot.
the man is stayed bent over the canvas of my sofa. the man is me the man is him self and I bring down the whip…
We found in his suitcase T-shirts, his siddur, gifts he bought for his grandchildren…