There is so little left of the tomato plants.
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
this is what I want you to to see: leaves falling because it is too late for them not to
I slumped in front of a massive desk, a passive patient corroded with failure and dread.
You are strange, my mother said, dwelling on the past.
my father holds his favorite drink
You said it was okay to blame what goes wrong on the planet
it’s touch-and-go with me and weddings
I’msorry I‘ll see what happens iLife
In my universe, my arm carries a heart and flowers, my back a misguided quote
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
how does an afternoon turn on its axis?
I don’t know why I’m in the garden kneeling on dirt
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
I have an axe with hearts gashed
I myself should never have been born
We stop doing dishes while a mile unwinds from the tree outside.
Long after midnight, we’re talking about our first time