The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
Every so often, they add a tattoo in honor of some long-forgotten love.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
my friends’ fathers are dropping I mean dying like flies
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
People have always coped with flooding, and they learned to cope with death.
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Even as the sun warms the concrete the long nights’ sensual cold lingers in my clothes.
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
You said it was okay to blame what goes wrong on the planet
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
He has stories that I am not in anymore. It’s healed this way.
Listen to me: I know the winter gloom in mid-summer…
Millions of Americans have been affected by identity theft. It’s probably the greenhouse gases.
If my life was the size of my arm, I would stretch it out for you.
I am still waiting for the lion
Try not to see your own predicament in every fucking thing.
I am not a guide for every traveler of loss.
Do not say anything anybody else has said ever. Things are not “bleached by sun.”