I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
Long after midnight, we’re talking about our first time
this is what I want you to to see: leaves falling because it is too late for them not to
Okay, picture this: We’re in an elevator. The elevator shuts down. It doesn’t matter where we’re going, only that we’re alone.
I am not a guide for every traveler of loss.
People have always coped with flooding, and they learned to cope with death.
We stop doing dishes while a mile unwinds from the tree outside.
here is the sky in stop motion, flickering, a still shot in monochrome
The two of us toast to a man we both love, to whatever degree, clink our glasses and laugh…
The collective failure of ethical standards
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
I’msorry I‘ll see what happens iLife
how does an afternoon turn on its axis?
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
my father holds his favorite drink
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
Her brown eyes, how a fig considers itself.
Ma wrings a wet world of colors
My grandmother asked, “Does it feel like being widowed?”
Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.