The storm passes without snow. The car waits loyally in the back lot.
I would always rather be happy than dignified. Rather held than held in awe.
my father holds his favorite drink
I don’t know why I’m in the garden kneeling on dirt
how does an afternoon turn on its axis?
anger, like you can sink teeth into, candy apple
and then her eyes fully opened — blazed through with strands of mud
love is a soggy tea stain on a grocery receipt
I am still waiting for the lion
The sin is existing.
I tap at the alphabet while a single deer taps at the dirt beyond the brush on the far side of the tree line.
I’msorry I‘ll see what happens iLife
We stop doing dishes while a mile unwinds from the tree outside.
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
Even from this distance I could go out the door it would bang shut and crumble
He has stories that I am not in anymore. It’s healed this way.
you know that baby swallows make silver ripples in wild rivers to court reeds?
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.