my father holds his favorite drink
Any still figure at mid-late evening, when the long shadows make even crumbs appear arranged like furniture.
you know that baby swallows make silver ripples in wild rivers to court reeds?
you quit wearing pants loaf around your yard in hole-nipped panties
Yes I am guilty, I’m guilty. A sin was desirable then. Bring the dancer back to the stalks.
The collective failure of ethical standards
You said it was okay to blame what goes wrong on the planet
here is the sky in stop motion, flickering, a still shot in monochrome
I imagined a cascade of slow death for all / that mattered…
Her brown eyes, how a fig considers itself.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
The storm passes without snow. The car waits loyally in the back lot.
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
Long after midnight, we’re talking about our first time
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
Just starlight and some small scribbling across vinyl.
Try not to see your own predicament in every fucking thing.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat