Should have found a job by now; should have slept in the night; should have boiled old coffee before noon.
anger, like you can sink teeth into, candy apple
It is the 70s. 1970s? 2570s? Who knows? Audre and I have a penthouse in New York.
a folksome, gruesome opera of gauze and malcontent.
here is the sky in stop motion, flickering, a still shot in monochrome
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
this is what I want you to to see: leaves falling because it is too late for them not to
I suffer visions and many indignities while looking for the Lobster
we drove on through the blue seal of morning as the turbines turned and winked out their hearts
Winter sat like a wolf on the horizon.
my father holds his favorite drink
I myself should never have been born
You are strange, my mother said, dwelling on the past.
I don’t know why I’m in the garden kneeling on dirt
I imagine that undressing a color, though, would be so much like peeling a memory away from the grey and the white matter of your brain.
I count my homes— those of my scattered youth the sanctuary of our young family the intermittent rest stops of apartments and vacations.
You let the yellow glow from eye sockets. The building up the street is burning faster and faster.
It recommended soft porn, as gentle prodding and petting parent to parent might calm and soothe the kid.
You’ve spent a lifetime training for this.
Empty vessels make the most sound, I think, as you rip the fairy lights off the handrail.