Try not to see your own predicament in every fucking thing.
Gravel-scatted hell & we were blessed to be able to hold on for even a heartbeat
You’ve spent a lifetime training for this.
I like to think I’m also sprung, released from the furnace knocks, done with the heavy meat stews and salty soups.
The poetry of Brian S. Ellis unravels, inverts, investigates, and complicates. His poems are radical koans and invitations to forego common narratives.
In my universe, my arm carries a heart and flowers, my back a misguided quote
it’s touch-and-go with me and weddings
and apples, mackintosh mostly, but any kind left in The Pub at the Assisted Living Place
If my life was the size of my arm, I would stretch it out for you.
Just starlight and some small scribbling across vinyl.
and then her eyes fully opened — blazed through with strands of mud
here is the sky in stop motion, flickering, a still shot in monochrome
my friends’ fathers are dropping I mean dying like flies
I would always rather be happy than dignified. Rather held than held in awe.
Ghosts for hire, whispers in her mouth, cysts to feel, the symmetry of a gift.
Now that the Israeli has left, it falls on me to make the salad.
Do not say anything anybody else has said ever. Things are not “bleached by sun.”
Mostly he ate what was put on his plate snuck coffee grounds or dirt for a snack Once a zipper Unzipped
Dylan Krieger’s poetry is unflinching, grotesque, and beautiful. Her work tackles trauma, wrestles authority, and is a decadent sonic feast.
My grandmother asked, “Does it feel like being widowed?”